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An analysis of Roland Dyens’s Niterói: Unified sonority and pedagogical approach for two guitars

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dc.contributor.authorÜNLENEN, EMRE
dc.contributor.authorAnıl Gelenler
dc.contributor.orcid0000-0002-9680-2248
dc.contributor.orcid0000-0003-0652-0165
dc.date.accessioned2025-11-13T16:34:13Z
dc.date.issued2025-04-30
dc.identifier.doihttps://doi.org/10.31811/ojomus.1634323
dc.identifier.endpage352
dc.identifier.issn2536-4421
dc.identifier.issue2
dc.identifier.openalexW4410058325
dc.identifier.startpage332
dc.identifier.urihttps://hdl.handle.net/11421/10174
dc.identifier.urihttps://doi.org/10.31811/ojomus.1634323
dc.identifier.volume10
dc.language.isoen
dc.relation.ispartofOnline Journal of Music Sciences
dc.rightsopenAccess
dc.subjectGuitar
dc.subjectSonority hierarchy
dc.subjectLinguistics
dc.subjectAcoustics
dc.subjectPhysics
dc.subjectPhilosophy
dc.titleAn analysis of Roland Dyens’s Niterói: Unified sonority and pedagogical approach for two guitars
dc.typeArticle
dspace.entity.typePublication
local.authorid.openalexA5040726109

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