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“Pseudo-Events” as a Form of Public Relations in the Postmodern World: A Case Study PinkorBlack Night

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dc.contributor.authorÖzoran, Beris Artan
dc.contributor.orcid0000-0002-1814-4323
dc.date.accessioned2025-11-13T22:35:19Z
dc.date.issued2018-09-25
dc.identifier.doihttps://doi.org/10.18037/ausbd.552513
dc.identifier.endpage88
dc.identifier.issn2667-8683
dc.identifier.issue3
dc.identifier.openalexW2954613493
dc.identifier.startpage77
dc.identifier.urihttps://hdl.handle.net/11421/14653
dc.identifier.urihttps://doi.org/10.18037/ausbd.552513
dc.identifier.volume18
dc.language.isoen
dc.relation.ispartofAnadolu Üniversitesi Sosyal Bilimler Dergisi
dc.rightsopenAccess
dc.subjectPostmodernism
dc.subjectPostmodernity
dc.subjectSociology
dc.subjectMagnum opus
dc.subjectEvent (particle physics)
dc.subjectShadow (psychology)
dc.subjectAesthetics
dc.subjectConfusion
dc.subjectSocial science
dc.subjectHistory
dc.subjectLiterature
dc.subjectEpistemology
dc.subjectPsychoanalysis
dc.subjectPsychology
dc.subjectPhilosophy
dc.subjectArt
dc.subject.sdg5
dc.title“Pseudo-Events” as a Form of Public Relations in the Postmodern World: A Case Study PinkorBlack Night
dc.typeArticle
dspace.entity.typePublication
local.authorid.openalexA5015446306

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