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Excursion among the Countries, Documentary, and Essay: Layered Narratives and Self-Representation in A Dog Called Money

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dc.contributor.authorÇALIŞKAN, ÖZGÜR
dc.contributor.orcid0000-0002-7407-3371
dc.date.accessioned2025-11-13T18:56:26Z
dc.date.issued2023-12-20
dc.identifier.doihttps://doi.org/10.5195/cinej.2023.478
dc.identifier.endpage126
dc.identifier.issn2158-8724
dc.identifier.issue2
dc.identifier.openalexW4389986393
dc.identifier.startpage98
dc.identifier.urihttps://hdl.handle.net/11421/11135
dc.identifier.urihttps://doi.org/10.5195/cinej.2023.478
dc.identifier.volume11
dc.language.isoen
dc.relation.ispartofCINEJ Cinema Journal
dc.rightsopenAccess
dc.subjectRepresentation (politics)
dc.subjectNarrative
dc.subjectContext (archaeology)
dc.subjectExhibition
dc.subjectVisual arts
dc.subjectArt
dc.subjectLiterature
dc.subjectHistory
dc.subjectPolitics
dc.subjectLaw
dc.subjectPolitical science
dc.subjectArchaeology
dc.titleExcursion among the Countries, Documentary, and Essay: Layered Narratives and Self-Representation in A Dog Called Money
dc.typeArticle
dspace.entity.typePublication
local.authorid.openalexA5023496585

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