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An analysis of Béla Bartók’s comparisons on the similarities between Turkish and Hungarian music through three works

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dc.contributor.authorPEKDEMİR PEKER, RUBA
dc.contributor.authorBALKARLI, SERLA
dc.contributor.orcid0000-0002-5559-1472
dc.contributor.orcid0000-0002-9500-2230
dc.date.accessioned2025-11-18T22:58:14Z
dc.date.issued2024-12-31
dc.identifier.doi10.31811/ojomus.1529664
dc.identifier.endpage604
dc.identifier.issn2536-4421
dc.identifier.issue2
dc.identifier.openalexW4405932615
dc.identifier.startpage586
dc.identifier.urihttps://hdl.handle.net/11421/17045
dc.identifier.urihttps://doi.org/10.31811/ojomus.1529664
dc.identifier.volume9
dc.language.isoen
dc.relation.ispartofOnline Journal of Music Sciences
dc.rightsopenAccess
dc.subjectTurkish
dc.subjectBartok
dc.subjectArt
dc.subjectHumanities
dc.subjectLinguistics
dc.subjectLiterature
dc.subjectPhilosophy
dc.subjectMusical
dc.titleAn analysis of Béla Bartók’s comparisons on the similarities between Turkish and Hungarian music through three works
dc.typeArticle
dspace.entity.typePublication
local.authorid.openalexA5114763965
local.authorid.openalexA5115719440

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