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BİZANS SANATI’NDA ANASTASİS SAHNESİNİN TEOLOJİK TEMELLERİ

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dc.contributor.authorŞENEL-, Zeliha
dc.date.accessioned2025-11-13T20:32:20Z
dc.date.issued2020-01-01
dc.identifier.doihttps://doi.org/10.29228/asos.40305
dc.identifier.endpage311
dc.identifier.issn2148-2489
dc.identifier.issue101
dc.identifier.openalexW3007562183
dc.identifier.startpage296
dc.identifier.urihttps://hdl.handle.net/11421/12133
dc.identifier.urihttp://doi.org/10.29228/asos.40305
dc.identifier.volume101
dc.language.isotr
dc.relation.ispartofthe Journal of Academic Social Sciences
dc.rightsopenAccess
dc.subjectMaterials science
dc.titleBİZANS SANATI’NDA ANASTASİS SAHNESİNİN TEOLOJİK TEMELLERİ
dc.typeArticle
dspace.entity.typePublication
local.authorid.openalexA5085751926

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