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The Auteur Theory in the Filmmaking of Emin Alper

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dc.contributor.authorCEMİLOĞLU, MELTEM
dc.contributor.orcid0000-0002-8779-7555
dc.date.accessioned2025-11-13T18:53:38Z
dc.date.issued2023-09-25
dc.identifier.doihttps://doi.org/10.51531/korkutataturkiyat.1344643
dc.identifier.endpage1596
dc.identifier.issn2687-5675
dc.identifier.issue12
dc.identifier.openalexW4387017008
dc.identifier.startpage1582
dc.identifier.urihttps://hdl.handle.net/11421/10973
dc.identifier.urihttps://doi.org/10.51531/korkutataturkiyat.1344643
dc.language.isoen
dc.relation.ispartofKorkut Ata Türkiyat Araştırmaları Dergisi
dc.rightsopenAccess
dc.subjectAuteur theory
dc.subjectFilm theory
dc.subjectScrutiny
dc.subjectFilmmaking
dc.subjectMovie theater
dc.subjectTurkish
dc.subjectLiterature
dc.subjectEpistemology
dc.subjectPhilosophy
dc.subjectSociology
dc.subjectArt
dc.subjectTheology
dc.subjectLinguistics
dc.titleThe Auteur Theory in the Filmmaking of Emin Alper
dc.typeArticle
dspace.entity.typePublication
local.authorid.openalexA5092935448

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