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Cinema without frames: How <i>Darkening</i> bridges virtual and real to redefine presence and narrative embodiment

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dc.contributor.authorÇALIŞKAN, ÖZGÜR
dc.contributor.orcid0000-0002-7407-3371
dc.date.accessioned2025-11-13T16:41:22Z
dc.date.issued2025-09-26
dc.identifier.doihttps://doi.org/10.1177/13548565251383405
dc.identifier.issn1354-8565
dc.identifier.openalexW4414544379
dc.identifier.urihttps://hdl.handle.net/11421/10438
dc.identifier.urihttps://doi.org/10.1177/13548565251383405
dc.language.isoen
dc.relation.ispartofConvergence The International Journal of Research into New Media Technologies
dc.rightsopenAccess
dc.titleCinema without frames: How <i>Darkening</i> bridges virtual and real to redefine presence and narrative embodiment
dc.typeArticle
dspace.entity.typePublication
local.authorid.openalexA5023496585

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