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The Disaster Movie and its Implications for Genre Theory

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dc.contributor.authorNorman, Yrd. Doç. Dr. Sibel Çelik
dc.date.accessioned2025-11-13T21:29:03Z
dc.date.issued2008-02-01
dc.identifier.doi10.16878/gsuiletişim.v8i8.5000004850
dc.identifier.endpage160
dc.identifier.issn1305-2411
dc.identifier.issue8
dc.identifier.openalexW2129698292
dc.identifier.startpage145
dc.identifier.urihttps://hdl.handle.net/11421/13589
dc.identifier.urihttp://iletisimdergisi.gsu.edu.tr/en/download/article-file/82773
dc.identifier.urihttps://doi.org/10.16878/gsuiletişim.v8i8.5000004850
dc.identifier.volume8
dc.language.isoen
dc.relation.ispartofGalatasaray Üniversitesi İleti-ş-im Dergisi
dc.rightsrestrictedAccess
dc.subjectNarrative
dc.subjectSubject (documents)
dc.subjectSolidarity
dc.subjectPolitics
dc.subjectGovernment (linguistics)
dc.subjectFilm genre
dc.subjectSalient
dc.subjectMedia studies
dc.subjectPower (physics)
dc.subjectElement (criminal law)
dc.subjectSociology
dc.subjectPolitical science
dc.subjectHistory
dc.subjectMovie theater
dc.subjectAesthetics
dc.subjectLaw
dc.subjectLiterature
dc.subjectArt history
dc.subjectLinguistics
dc.subjectArt
dc.subjectPhilosophy
dc.subject.sdg13
dc.titleThe Disaster Movie and its Implications for Genre Theory
dc.typeArticle
dspace.entity.typePublication
local.authorid.openalexA5043399437

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